Section Three - Armed Forces Label: R&S Records Catalog#: RS 880014 Format: Vinyl, 12" Country: Belgium Released: 1988 Style: Acid, New Beat Credits: Written by - David Morley, James Martinez, Stefan Vandeperre Notes:
Tracklisting: A: Armed Forces B: The Fly
Section Three Real Name: David Morley, James Martinez & Stefan Vandeperre
David Morley Profile: Born 6th August 1965 in London. Moved to Belgium when 8 years old. Played in various Bands from 14 until 18 in Belgium and England. At the age of 19 he started working in a Brussels studio, learning engineering and studying guitar. Late 1980's, met Renaat Vandepapeliere from R & S Records. URLs: http://www.davidmorley.com http://www.myspace.com/morleysmusic
James Martinez In Groups: Extaesia, Section Three Profile: Appears on two R&S releases from 1988
Stefan Vandeperre Profile: This record is his only listed work.
R&S Records Profile: R&S represents the initials of Renaat & Sabine, the couple that created this quintessential label of the history of the electronic music. Based in Ghent, Belgium, it held the privilege to be located in one of the oldest and most traditional cities of Europe. The label was first named as Milos Music Belgium but just one record was released on this label.
But for the three massive cathedrals (St. Peter, St. Baaf and the newer one of Gothic design, St. Nicholas, built in the 13th century), the city passed through a serious transformation since the beginning of the nineties. At that time, a new revolution has attained this Belgian community: the one of the rise of the machines, made mainly through innovation and experimentation, principles that will always remain as the main landmarks of R & S Records.
Created by the visionary Renaat Vandepapeliere and his wife Sabine Maes, R recruited almost every single artist of avant-garde essence from late eighties to the first half of the nineties. Renaat's passion for Ferraris has been notorious, which explained why he initially decided to use the Ferrari logo for the label, probably paying substantial royalties for it, from 1988 to 1989. This happened in the same period of the New Beat era, a musical styled clearly influenced by EBM and Acid House, but with lower BPMs (the first releases are precisely New Beat ones, but soon the sound flavors would change to something far more technological.
It was the label that catapulted careers such as the ones of Joey Beltram -- first of all for having released one of the classics of the last decade, "Energy Flash". The same highlight occurred with Human Resource, the trance duo of Jam & Spoon (of "Stella"), and also the ambient-experimental fusion of Richard James' creative mind (as Aphex Twin, with tunes like "Digeridoo" and "Analogue Bubblebath" I and III). The New Beat formers CJ Bolland (author of "Camargue", "Mantra" and "Horsepower") and Cisco Ferreira (which was considered alongside Robert Leiner an engineer of respect) also took their places on the team of the 'Techno Island' -- a place that served as a majestic Academy for futuristic-technological soundscapes, where the R studios were located.
It is equally important not to forget that R was responsible for a very close alliance with the legendary producers from Detroit. The names included Stacey Pullen as Silent Phase, the impact of Derrick May as "R-Tyme", the pioneer Juan Atkins, Carl Craig and even Kevin Saunderson. Together, this organization gave formidable contributions to the growing electronic scene of Europe. The eclectic spirit was so determinative that R will remain one of the few labels to blend rhythms from Techno to Trance, Breakbeats, the more experimental, or Drum & Bass.
In 1989, Renaat's first big move toward the ground-breaking sonorities appeared on the compilation "In Order To Dance", born to be eternal. Selected during the New Beat era, it quickly called the attention of the critics and the intense listeners (through tunes like 'Ghentlon -- Techno Dream') for the fact that a new musical style would soon take its place on the preferences of the quality-demanding supporters of electronic music: Techno.
Sublabels: All Good Vinyl, Apollo, Cutty Shark, Diatomyc, ETC, Generations, Global Cuts, Labirynt Records, Limited Club Edition, Maffia Music, Milos Music Belgium, No Label Records, Outrage Recordings, R & S Records UK, Satori, TNI, TZ URLs: http://www.rsrecords.com http://www.myspace.com/randsrecords
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Section Three - Armed Forces
Label: R&S Records
Catalog#: RS 880014
Format: Vinyl, 12"
Country: Belgium
Released: 1988
Style: Acid, New Beat
Credits: Written by - David Morley, James Martinez, Stefan Vandeperre
Notes:
Tracklisting:
A: Armed Forces
B: The Fly
Section Three
Real Name: David Morley, James Martinez & Stefan Vandeperre
David Morley
Profile: Born 6th August 1965 in London. Moved to Belgium when 8 years old. Played in various Bands from 14 until 18 in Belgium and England. At the age of 19 he started working in a Brussels studio, learning engineering and studying guitar. Late 1980's, met Renaat Vandepapeliere from R & S Records.
URLs: http://www.davidmorley.com
http://www.myspace.com/morleysmusic
James Martinez
In Groups: Extaesia, Section Three
Profile: Appears on two R&S releases from 1988
Stefan Vandeperre
Profile: This record is his only listed work.
R&S Records
Profile: R&S represents the initials of Renaat & Sabine, the couple that created this quintessential label of the history of the electronic music. Based in Ghent, Belgium, it held the privilege to be located in one of the oldest and most traditional cities of Europe.
The label was first named as Milos Music Belgium but just one record was released on this label.
But for the three massive cathedrals (St. Peter, St. Baaf and the newer one of Gothic design, St. Nicholas, built in the 13th century), the city passed through a serious transformation since the beginning of the nineties. At that time, a new revolution has attained this Belgian community: the one of the rise of the machines, made mainly through innovation and experimentation, principles that will always remain as the main landmarks of R & S Records.
Created by the visionary Renaat Vandepapeliere and his wife Sabine Maes, R recruited almost every single artist of avant-garde essence from late eighties to the first half of the nineties. Renaat's passion for Ferraris has been notorious, which explained why he initially decided to use the Ferrari logo for the label, probably paying substantial royalties for it, from 1988 to 1989. This happened in the same period of the New Beat era, a musical styled clearly influenced by EBM and Acid House, but with lower BPMs (the first releases are precisely New Beat ones, but soon the sound flavors would change to something far more technological.
It was the label that catapulted careers such as the ones of Joey Beltram -- first of all for having released one of the classics of the last decade, "Energy Flash". The same highlight occurred with Human Resource, the trance duo of Jam & Spoon (of "Stella"), and also the ambient-experimental fusion of Richard James' creative mind (as Aphex Twin, with tunes like "Digeridoo" and "Analogue Bubblebath" I and III). The New Beat formers CJ Bolland (author of "Camargue", "Mantra" and "Horsepower") and Cisco Ferreira (which was considered alongside Robert Leiner an engineer of respect) also took their places on the team of the 'Techno Island' -- a place that served as a majestic Academy for futuristic-technological soundscapes, where the R studios were located.
It is equally important not to forget that R was responsible for a very close alliance with the legendary producers from Detroit. The names included Stacey Pullen as Silent Phase, the impact of Derrick May as "R-Tyme", the pioneer Juan Atkins, Carl Craig and even Kevin Saunderson. Together, this organization gave formidable contributions to the growing electronic scene of Europe. The eclectic spirit was so determinative that R will remain one of the few labels to blend rhythms from Techno to Trance, Breakbeats, the more experimental, or Drum & Bass.
In 1989, Renaat's first big move toward the ground-breaking sonorities appeared on the compilation "In Order To Dance", born to be eternal. Selected during the New Beat era, it quickly called the attention of the critics and the intense listeners (through tunes like 'Ghentlon -- Techno Dream') for the fact that a new musical style would soon take its place on the preferences of the quality-demanding supporters of electronic music: Techno.
Sublabels: All Good Vinyl, Apollo, Cutty Shark, Diatomyc, ETC, Generations, Global Cuts, Labirynt Records, Limited Club Edition, Maffia Music, Milos Music Belgium, No Label Records, Outrage Recordings, R & S Records UK, Satori, TNI, TZ
URLs: http://www.rsrecords.com
http://www.myspace.com/randsrecords
http://www.discogs.com/release/87385
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